A cinematic film for your release. No crew, no set, no location, no travel, no permit, no waiting on weather. Shot lists become finished frames in Los Angeles, and the whole thing lands before release day.
Most artists pay for one file and then spend the next two weeks cutting it into pieces for every platform. That work is already done here, and it is delivered together.
A cinematic video for the song, cut to the track, colour graded and mixed.
Reframed for Reels and TikTok, so the frame is never an afterthought.
A clean looping 9:16 that passes Spotify’s spec on the first upload.
A movie poster for the single, built from a frame of your own film.
Story frames and announcement cards, sized and ready the week before.
Singles, EPs, visualisers, lyric films. The song comes first and every frame is cut to it. If a label or distributor is involved, the deliverables come in the formats they ask for.
A portfolio film that is not another phone selfie reel. Editorial lookbooks, brand-ready reels, and campaign frames that look like a magazine hired a crew for the day.
A rough mix is fine. References can be films, music videos, or a single photograph.
Every shot, in order, with a still for each one. Nothing is produced before you say yes.
First cut in days, two rounds of notes included, final files delivered together.
A lighthouse in a storm, an ocean, a fall, a park in spring. None of it was filmed. The artist never left her city, and the film was finished and delivered before the single dropped.
The shot-by-shot of how Bad Dream was built, from the first reference image to the final grade. Follow @bqprods, send the word BREAKDOWN in a DM, and it comes back to you. No charge, no call.
If the month is taken, you get told straight away and we look at the next one.
